The Printed Image Bookshop : Photography Books

October 20, 2006

Focus On : Cowboy Kate Rides Again

Filed under: Book Reviews, Photographers — printedimage @ 3:38 pm

Cowboy Kate & Other StoriesNude photography changed forever when Sam Haskins’ Cowboy Kate & Other Stories hit the shelves back in 1967. Considered a classic for its development of a visual narrative, Cowboy Kate & Other Stories sold out every international edition printed. Haskin’s selective eye has produced a photographic fable, with a synopsis by Desmond Skirrow and subtly erotic black and white photographs. It is to be reissued later this year. This ‘Director’s Cut’ version is complete with digital restored plates and several never before seen images that Haskins has added to the mix.

In a photographic career that has spanned almost fifty years and included many memoriable advertising, editorial and illustrative shoots, Haskins’ greatest love remains his books. His monographs allow him to develop and follow narratives as well as pursue visual themes and symbols. His work has always articulated the sentiments and aesthetic preoccupations of his generation. Haskins’ images are characterised by frivolity and beauty. He was one of the first colour practitioners to make a trademark out of multiple image techniques. 

3 Comments »

  1. […] The National Portrait Gallery in Canberra is hosting a major retrospective of Sam Haskins’ work. Coinciding with the release of the Cowboy Kate and Other Stories – The Director’s Cut, the exhibition – Portraits and Other Stories features images printed specifically for the show. Haskins even framed the photographs himself. […]

    Pingback by Cowboy Kate Keeps On Riding… « The Printed Image Bookshop : Photography Books — December 8, 2006 @ 2:43 pm

  2. Sam Haskins did print the entire exhibition himself but the framing was done by the National Portrait Gallery in Canberra.

    The exhibition features ‘spreads’ made of pairs of complementary images that were specially designed for this show. This is Sam’s first retrospective (despite the ‘portrait’ mandate excluding many important images) and his first show at a national museum.

    Comment by Ludwig Haskins — December 11, 2006 @ 11:07 pm


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